Sarah Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which had already been exposed. Each drop altered the coating of the film. Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.
She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200 cm. All of the substances behaved very differently: the shapes and colors that appeared showed unique characteristics and revealed unique internal universes. Schönfeld explores the possibilities of photography at the frontiers of what can be visually portrayed– the interface between representation and reality.